Sunday, 13 June 2010
That special thing
This is mainly because I keep taking pictures. Of those painted patches over graffiti you see everywhere. I like the care with which it is done, the oddly decorative patterns the painters-over make, and the complete impossibility of getting any sort of colour match.
Labels:
contemporary art,
culture,
everyday habits,
public life
park again
The dancing, through, was a bit haphazard and it was difficult to ignore the more eccentric individuals involved, even whilst recognising that mostly everyone was having a good time. I found myself assuming that this kind of communal dancing (as with the tango sessions I managed to miss the other week) is left over from Soviet times and will fade away with this generation..
at the park
is smooth good?
Here, the pictures are well hung but the lighting is pretty poor and the alarm sensors oversensitive. The effect is a kind of sound installation ballet. You have to lean forward to read the captions to each work, which sets off the alarms (each at a slightly different pitch). A resigned security guard walks towards you gesticulating, so you back off. They retire, only to have to do the same thing as another alarm sounds. This is non-stop and - for a while - quite amusing. But in a London gallery we are so used to everything being smooth; with the amount of effort behind each exhibition made invisible precisely because of obsessive professionalism.
Well, I think that is what it is.....
On smoothness
The thing I have been trying to get my head around is about how London (particularly its cultural scene) has a certain smoothness and slickness which Moscow doesn't have. This could be called a type of professionalism which makes coherence and consistency central to its understanding of itself; and/or it could be capitalist society, which exploits every aspect of consumption to generate lots of different goods and services for us to buy.
A typical street cleaners' kit, shown here, is a good example. Brushes are invariably made of twigs; cleaners carts of old prams or trolleys with plastic buckets or boxes tied on with string. Why buy a plastic broom, or a pre-designed dustbin cart? Well why indeed, except of course in London that is what the street cleaners have (whether contracted publicly or privately).
Another example is luncheon vouchers (I have also had post-it notes as cloakroom tickets). We used to get these at work; and each month someone would make photocopies and cut them out individually with scissors. But I can't really explain why I find this odd.
Labels:
assumptions,
conspicuous consumption,
culture,
design,
public life
Tuesday, 8 June 2010
that special something
But there are also what seem to be truly contemporary moments; such as the glam young women in the highest heels, tightest shortest dresses, brightest colours and the most labelled accessories; or the extraordinary array of buildings under construction which cannot even be contained by the term 'eclectic' and have led me to think hard about what I mean when I say something is ugly. There is the energy of new cultural possibilities, of new things starting all the time, usually without warning, publicity or long lead-in times.
So, even though I don't want to reduce this place to simple stereotypes, I do seem to be trying to select a special something, that sums up my first (almost) year in this country and city. For which, all suggestions welcome....
Labels:
assumptions,
building,
conspicuous consumption,
culture,
public life
more on food
And since I was buying the sausages at my local outdoor market (which is brilliant) I could only ask for ones that I could pronounce, because my Russian is still terrible. So in fact what I have finally gone is lazy.
boys toys
Monday, 7 June 2010
want one
handy hints for travellers 12: the little things
Well, it turns out, according to one of my older Russian colleagues, that a man will never shake hands with 'a lady', unless she puts her hand out first, in which case he will be very glad to shake it. So now I can join in with all the everyday male handshaking. But I forgot to ask him what the deal is when I meet another female stranger/acquaintance/friend. I haven't noticed women shaking hands very much.... so I need more advice here. What kind of greeting(s) should I do in this case?
Oh, and I should mention that the photograph was taken this weekend at my local park which fills up with older people on a Sunday afternoon who, I understand, then dance the tango.
Typically for me, I witnessed the beginning - which seems to involve many stand-up group picnics and some serious drinking - but, as usual, missed the main event, i.e. the dancing.
Labels:
culture,
dancing,
everyday habits,
handy hints,
language
Spring snow (extra)
Wednesday, 2 June 2010
spring snow?
But even whilst it swirls like a fine soft snow, somehow it is hard to photograph. So, this is not actually meant to be a picture of a man in a funny hat on a scooter....
new fronts
The picture shows some suggestions by young architects; the face is someone I work with, who enjoyed the joke of a 'non-personality cult' to remind/replace all those images of Soviet (and post-Soviet) leaders.
yawn....
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