Slept last night in the flat in borrowed bedding, so have been to collect my stuff from work and begun to make the place my own. The building is from the late 1920s, initially built as a hotel, and then converted into collective housing. Which I guess explains the huge stair landings. The landlady’s story, if I understand it correctly, is that her family owned the flat originally but were cultural intellectuals who were cleared out in the 30s to be replaced by poorer families, many living in each room. Then at some stage she and her parents were able to move back and so how she has both her own place and this one (she also seems to own some other apartments elsewhere for letting out.) Clearly an entrepreneur and a survivor; she and her husband – a chemical engineer – seem to have done all right for themselves. Like ex-council estates in London, the wider block appears to be inhabited by many different kinds of people, including a regular gathering of drunks on the stairs, who it must be said are perfectly friendly if a bit messy.
Familiar strangenesses are multiplying. Went immediately to view a flat that my Russian colleagues have found me (via many, many email exchanges of interiors/locations/prices). Prices seem to have shot up, although it may be of course that I demand to live relatively central. Anyway, this place is old and furnished traditionally, but in a fantastic location just minutes walk from work. The landlady and her husband live immediately upstairs, so initial discussions also involve soup. The plumbing is ancient and basic but the floors are wooden, the windows big, the rooms of a good size and the view green, so I like it. It is also very cold – being as we are in that transitional period with chillier, more autumnal weather but before the powers-that-be decide to turn on the heating. (Also they have left the windows open, which I later realize is to blow away the slight but all- pervading elderly smell.)
So the landlady show me the traditional trick of lighting the cooker, and putting bricks on the flames. And I can’t work out if this is weird or not.
I have been reading Colm Toibin’s book Brooklyn during my summer in London. He describes a young woman’s almost accidental moves backwards and forwards between Ireland to America. Throughout the story much is left unsaid; and a central motif is how each location fades away into a kind of silence when this woman is living in the other. Although I have really appreciated having over two months in England, I am experiencing exactly that sensation; that I can’t quite remember what it is I did in Moscow.
And now, arriving back a few days ago I carry this dislocation as an unsettling combination of pleasurable recognition and peculiar, eerie distance. So, as an example, the car journey from the airport. A typically turbulent river of vehicles - gaily and surprisingly good-naturedly – fighting for space. Swerving around the stray dog killed as it hit a car in front of us. Sitting immobile for some time in major jams caused both by the requirement that cars in minor accidents stay where they are (I have seen two already) and just by the fact that there are far too many cars in Moscow. And, of course, that parking everywhere including all-over-the-pavement business. So pleased to be back, but feel like I am looking at all of this through glass.
The thing I have been trying to get my head around is about how London (particularly its cultural scene) has a certain smoothness and slickness which Moscow doesn't have. This could be called a type of professionalism which makes coherence and consistency central to its understanding of itself; and/or it could be capitalist society, which exploits every aspect of consumption to generate lots of different goods and services for us to buy.
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